There’s one poem in The Cloud Corporation called “The Rumored Existence of Other People.” In that poem I referred to a dream that I had when I was a grad student living in New Jersey. I don’t usually use them in my writing but I let the logic of them carry over. That’s at least one of the reasons I take pleasure in doing it and why it seems to serve a kind of psychic function quite separate from mere expression.ĭo you catch dreams? Do they resurface in your writing? It has a semi-meditative quality for me, writing does-weaving everything into a single thread. I often think of my writing as a way for me to bring it all together, to focus myself. We both concentrate very deeply on things-in my case, partly to counter a natural tendency to grow distracted. The first time this happened she ran to her mother saying “Mom, Dad spoke the words right out of my brain.” The way her brain works in general-her wild imagination, the way she relentlessly analyzes things, her spazziness-this is all me. My wife would try to wake her up and she would say, “No, just five more minutes, I need to finish my dream.” She never saw or heard me say this, my daughter, I swear. For example, my wife for the longest time thought I was being ridiculous whenever she would try waking me up in the morning-I hate waking up-and I would say “Just give me five more minutes, I just need to finish my dream.” She thought I was feeding her a line! But then, completely independently of my example, my daughter started saying the same thing. I’m revisiting what I was like as a kid lately because I have a five and a half year old daughter and both my wife and I recognize certain traits in her as being, so to speak, my fault. Can you tell me a little bit about what you were like as a child? ![]() I read this thing that you wrote about how you were as a child, which I just loved. ![]() He has been the poetry editor of the Boston Review since 1995 and currently teaches writing at Columbia University.ĭonnelly is the kind of writer- and person- who never ceases to keep you on your toes and who, while you are balancing there on a precarious intellectual tightrope, winks conspiratorially as if to say, “We’re in this together, aren’t we?” He earned a BA from Johns Hopkins University, an MFA in poetry from Columbia University, and a PhD in English from Princeton University. His work has also appeared in publications like Harper’s, Iowa Review, The Nation, The New Republic, The Paris Review, and Ploughshares. Timothy Donnelly is a wordsmith whom The New Yorker has called “the barreller-in-chief of the younger generation of American poets.” He has published two collections of poetry, Twenty-seven Props for a Production of Eine Lebenszeit (2003) and The Cloud Corporation (2010).
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![]() Digital templates are a great way to make your plans and save your memories. One alternative is using a GoodNotes journal template. You may be interested in a more open-and-go approach to creativity. Creating unique layouts and fancy digital scrapbook pages isn’t for everyone. However, if paging through digital stickers or shopping for embellishments is not high on your list of priorities, that’s okay. ![]() Now, you might be looking at the list above with anticipation and excitement. The ten mintues or so you take for yourself can now be entirely dedicated to creativity – and there’s no clean up required when you finish! Journal Templates for GoodNotes It takes just seconds to open the app and start creating. On the other hand, if you are not yet in the habit of opening your app on a daily basis, it might be good to set aside a little time each day. You don’t have to haul out your crafting supplies, brushes, pens, or fancy paper to get creative. This is one of the many reasons I love creating in my GoodNotes journal. Everything you need to be creative is on-hand right there in your app, files, and photo gallery. If you use your GoodNotes journal or planner consistently, working in a bit of creative time won’t be too difficult. ![]() Making time for Creative Journaling & Memory Keeping No matter what you decide to do, your GoodNotes journal will become a way to capture cherished memories for years to come. Keep it for yourself or share it with your loved ones down the road. You can even turn your digital journal into a scrapbook of sorts that not only captures what you need to do, but also provides a stunning record of what you’ve done.
![]() As the use of long, thoughtful captions steadily rises on Instagram, the truly “instant,” spur-of-the-moment caption is fading away.
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One reason could, for example, be that zotero doesn't write to the database as frequently as Citavi does. In particular, I would never do this with onedrive, which seems to have its own way of doing things and deciding what data to actually store locally and what to references as a mere link to the cloud.Īnyway, the point of this story is to ask whether there are reasons to assume that zotero would not work like this in combination with dropbox. ![]() So what I'm saying should be read as my experience with dropbox, not with any cloudstorage. it only syncs the parts of the file that have changed, not the entire file). (To be clear, I do not recommend anyone to follow this practice and I want to emphasize that I would not have done this on any other cloudstorage but dropbox, because of how good dropbox is at syncing data (e.g. But other than that, synching the Citavi-database via dropbox worked fine for me and I definitely never had a corrupted database. In some very rare occasions (maybe 2-3 times in those 10+ years) I did have to go back to one of those database copies to recover some note I had taken and that got lost when I opened the database on another computer. from title data to abstract) and dropbox also syncs those changes to the cloud long _before_ citavi is closed, the database file was virtually always up to date and the copy that dropbox created was just a redundant copy. Since citavi writes to the database as soon as you change tab (e.g. What dropbox did in those cases was it created a copy of the database file, appending something like "copy from on " to the filename and continue using the original database without any issues. I guess that is unavoidable (I did at some point have a script that would close Citavi before the computer hibernates, but that didn't work 100% either). So what happened? In over 10 years of database-synching, I did occasionally forget to close Citavi on one computer before opening it on another. Zotero is a free, easy-to-use tool to help you collect, organize, cite, and share research. 3) Now anytime you save anything, it will sync with the Zotero online. When I started using Citavi, that recommendation did not exist (or I was not aware of it) and so I kept did keep my database on my dropbox and when I became aware of the recommendation, I continued doing so because it was simply very convenient. Files can be added either as a standalone reference, or as an attachment to a reference. Having said that, I would like to better understand what exactly is at risk.Ĭitavi (another excellent reference manager which I have been using for over 10 years) also strongly recommends not to keep the citavi database in the cloud and I assume that the reasons are exactly the same as for Zotero. The time that otherwise goes to support users with corrupted databases is better used to deal with other issues. ![]() At the very least, syncing should now work properly for people behind full proxies.I completely understand why zotero strongly discourages keeping your data directory in the cloud. Let us know if you continue to have trouble with a proxy-based setup. If that turns out to be the case, we'll have to think about other ways to address this. In that case, the text file would likely be loaded without triggering the proxy authentication dialog, but later background requests for gated resources would still fail. A PAC file tells clients to use the proxy only for certain requests-such as for specific gated resources-and to send all other requests to the sites directly. This might not work for people using proxy auto-configuration, however. In 4.0.8, we make a foreground request at startup to a simple text file under our control, which, if you're using an authenticated system proxy for all network traffic, will trigger an authentication dialog, and further network requests will go through the proxy. (In normal use they should never be necessary, and we'd rather problems just trigger failures and not annoying dialogs, which could potentially not even be in the front-most app if you're using Standalone.) ![]() If only requests for gated files were failing (e.g., saving PDFs from the Chrome/Safari extensions, the requests for which are done from Standalone), 4.0.8 may not help.Ī bit more technical detail: we set most of the network requests we make in Zotero to be background requests, specifically to avoid popping up certificate/authentication dialogs during saving. If syncing was broken for you, all network requests from Standalone should now work. 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The versatile design makes it an exciting selection for your outdoor adventures, allowing you to switch smoothly from paddling to kayaking by sitting. ![]() Origami Paddler presents a unique two-in-one paddle board that enables you to enjoy Stand-Up Paddleboard and Kayak activities. Our editorial content is based on thorough research and guidance from the editorial team. Commissions we earn from partner links on this page do not affect our opinions or evaluations. ![]() ![]() ![]() Max Attack Modifier (Larger) 1st 010350DA 910305DD Max Attack Modifier (Smaller) 1st 01E751DA 91E706DD Max Defense Modifier (Larger) 1st 010352DA 910307DD Max Defense Modifier (Smaller) 1st 01E753DA 91E708DD Max Speed (Larger) 1st 010354DA 910309DD Max Speed (Smaller) 1st 01E755DA 91E70ADD Max Special Attack Modifier (Larger) 1st 010356DA 91030BDD Max Special Attack Modifier (Smaller) 1st 01E757DA 91E70CDD Max Special Defense Modifier (Larger) 1st 010358DA 91030DDD Max Special Defense Modifier (Smaller) 1st 01E759DA 91E70EDD Max Attack Modifier (Larger) 2nd 010380DA 910335DD Max Attack Modifier (Smaller) 2nd 01E781DA 91E736DD Max Defense Modifier (Larger) 2nd 010382DA 910337DD Max Defense Modifier (Smaller) 2nd 01E783DA 91E738DD Max Speed (Larger) 2nd 010384DA 910339DD Max Speed (Smaller) 2nd 01E785DA 91E73ADD Max Special Attack Modifier (Larger) 2nd 010386DA 91033BDD Max Special Attack Modifier (Smaller) 2nd 01E787DA 91E73CDD Max Special Defense Modifier (Larger) 2nd 010388DA 91033DDD Max Special Defense Modifier (Smaller) 2nd 01E789DA 91E73EDD Max Attack Modifier (Larger) 3rd 0103B0DA 910365DD Max Attack Modifier (Smaller) 3rd 01E7B1DA 91E766DD Max Defense Modifier (Larger) 3rd 0103B2DA 910367DD Max Defense Modifier (Smaller) 3rd 01E7B3DA 91E768DD Max Speed (Larger) 3rd 0103B4DA 910369DD Max Speed (Smaller) 3rd 01E7B5DA 91E76ADD Max Special Attack Modifier (Larger) 3rd 0103B6DA 91036BDD Max Special Attack Modifier (Smaller) 3rd 01E7B7DA 91E76CDD Max Special Defense Modifier (Larger) 3rd 0103B8DA 91036DDD Max Special Defense Modifier (Smaller) 3rd 01E7B9DA 91E76EDD Max Attack Modifier (Larger) 4th 0103E0DA 910395DD Max Attack Modifier (Smaller) 4th 01E7E1DA 91E796DD Max Defense Modifier (Larger) 4th 0103E2DA 910397DD Max Defense Modifier (Smaller) 4th 01E7E3DA 91E798DD Max Speed (Larger) 4th 0103E4DA 910399DD Max Speed (Smaller) 4th 01E7E5DA 91E79ADD Max Special Attack Modifier (Larger) 4th 0103E6DA 91039BDD Max Special Attack Modifier (Smaller) 4th 01E7E7DA 91E79CDD Max Special Defense Modifier (Larger) 4th 0103E8DA 91039DDD Max Special Defense Modifier (Smaller) 4th 01E7E9DA 91E79EDD Max Attack Modifier (Larger) 5th 010310DB 9103C5DD Max Attack Modifier (Smaller) 5th 01E711DB 91E7C6DD Max Defense Modifier (Larger) 5th 010312DB 9103C7DD Max Defense Modifier (Smaller) 5th 01E713DB 91E7C8DD Max Speed (Larger) 5th 010314DB 9103C9DD Max Speed (Smaller) 5th 01E715DB 91E7CADD Max Special Attack Modifier (Larger) 5th 010316DB 9103CBDD Max Special Attack Modifier (Smaller) 5th 01E717DB 91E7CCDD Max Special Defense Modifier (Larger) 5th 010318DB 9103CDDD Max Special Defense Modifier (Smaller) 5th 01E719DB 91E7CEDD Max Attack Modifier (Larger) 6th 010340DB 9103F5DD Max Attack Modifier (Smaller) 6th 01E741DB 91E7F6DD Max Defense Modifier (Larger) 6th 010342DB 9103F7DD Max Defense Modifier (Smaller) 6th 01E743DB 91E7F8DD Max Speed (Larger) 6th 010344DB 9103F9DD Max Speed (Smaller) 6th 01E745DB 91E7FADD Max Special Attack Modifier (Larger) 6th 010346DB 9103FBDD Max Special Attack Modifier (Smaller) 6th 01E747DB 91E7FCDD Max Special Defense Modifier (Larger) 6th 010348DB 9103FDDD Max Special Defense Modifier (Smaller) 6th 01E749DB 91E7FEDD In this final module, you will start to learn what is probably the hardest skill to master - mixing. This way you can be sure that your track is of the highest quality. Fear not, Jay shares his traffic light system for organsing and structuring all the different takes and after that, teaches you how to audition them, to not only find the best takes, but also how to stitch them together to make the best finished take possible for your track. The goal is not only to keep the listener engaged, but also keep them coming back for more.Īfter some recording sessions you can be left with an absolute tonne of recorded audio scattered all over your project window and you haven't got a clue where to start. Increasing and decreasing the energy, and using the push and pull technique is vital in successful song writing. The last thing you want is for the listener to get bored and switch over to a different song. In this 4th module, you will learn the importance of having different sections in your track, what role those sections play and how to make certain sections (such as the chorus) stand out. ![]() Song structure, or song arrangement is extremely important in keeping the listener engaged throughout the entire song, but is often overlooked. ![]() On top of that, Jay will show you where to download a free Bass guitar plugin, for people that are not bass players, and you'll learn how to program in a bassline melody that sounds like the real thing, which you can use in all your projects going forwards. You'll also create a simple riff which will sit in the background of your mix and provide a further melody. Why are these virtual instruments great to have? Well, what if you don't have access to a bass guitarist, or you don't own a synthesizer, or a drum kit etc? In this module, you'll learn how to load up the amazing Halion virtual synth, which comes free with Cubase, and program in some easy chords using Cubase's very helpful 'chord pads' feature. Oh no, it also comes with many virtual instruments, which are like real instruments but in software form. Later on in the course you will learn how to mix all of your audio recordings together, so they each have their own space and clarity.Ĭubase doesn't just come with the important mixing tools such as EQ, compression, delay & reverb. We 'll also talk about the recording environment with handy tips on trying to lessen reverberations and recording a clean sound. You'll learn how to plug in and record an electric guitar too, and how to record multiple takes of these instruments. You will learn about microphone polar patterns and microphone placement when recording an acoustic guitar and vocals. ![]() ![]() You've bought Cubase and this tutorial to learn how to record instruments right ? Good - so in this 2nd module, you'll learn exactly that. This module will get you used to Cubase's interface, before you start importing sounds, recording audio and creating virtual instruments. Although the beat you make is basic to start with, you will add drum fills later on in the course, and also add little human touches such as velocity and timing, so that your drums sound more authentic. After a quick check of your settings, your tutor Jay will guide you through making a 'real' sounding drum beat with the in-built drum machine in Cubase called Groove Agent. ![]() You will be immediately moved to the live webinar area. On the meeting toolbar, click the Webinar button and then confirm by clicking Go to Webinar.To move into the live webinar and be visible to webinar attendees: A message will appear if you attempt to move to an area and are not allowed to do so. Note: The host can disable the ability for panelists to move between areas freely, so you may need to contact the host or co-host to be moved. Moving yourself between the live webinar and backstage areaĪs the host or a panelist, you can move between the two areas freely, even after the webinar has started. All panelists, in either the live webinar or backstage area, will see a notification that the webinar has started. Zoom recommends having at least one panelist in the live webinar area before starting the webinar for attendees, otherwise attendees will see a The host will be right back message. ![]() The host will click the Start Webinar button located on the small banner at the top of the screen. Just as with a Practice Session, the host will need to start the webinar when they are ready to allow attendees to join and begin viewing the presentation. Note: When using dual monitor mode, one screen will display the standard backstage view, while the other is dedicated to the live webinar view. Before the webinar officially starts, the area for the live webinar will display a clear OFF AIR image, to make it clear that no attendees are viewing the webinar yet. The ratio of how much space each area occupies in the meeting window can be adjusted by clicking-and-dragging the slider between the two areas. While in the backstage area, the screen is split horizontally, with the live webinar above and everyone in the backstage area below. This avoids late arrivals appearing in front of attendees before they are ready. When joining a webinar with Backstage enabled, panelists will join the backstage area automatically, whether the webinar is open to attendees or not. The host, co-host, or panelists must be in the live webinar area to access these options. ![]() Starting a recording, chatting with attendees, and spotlighting a panelist in the live webinar area cannot be done from the backstage area.Hosts and co-hosts can move panelists in and out of the backstage area, regardless of which area they are currently in.While in the backstage area, hosts and panelists can access webinar chat (backstage only), view and answer Q&A from the live session, Share Screen (only visible to those in backstage), and Marketplace Apps.They will join the webinar and remain in the live Webinar area. Panelist joining from a H.323/SIP device, or the web client will not be able to use Webinar Backstage.Zoom Rooms for macOS or Appliances: version 5.16.0 or higher.Zoom mobile app for Android or iOS: Global minimum version or higher.Zoom desktop client for Windows, macOS, or Linux: Global minimum version or higher.Note: To enable and use Webinar Backstage, you must have a Zoom Events license. A webinar scheduled with Webinar Backstage enabled.Prerequisites for using Webinar Backstage This is similar to the Webinar Practice Session, which is only available as a staging area before the webinar is started live and cannot be returned to after beginning the webinar.īefore using this feature in a webinar, ensure this has been enabled for your account and scheduled webinars. Webinar attendees can be promoted to panelist during the course of the webinar, and when promoted, the host can choose to either start them in backstage area or live in the Webinar. This can also be useful for webinar moderators or production assistants, who would prefer to remain off screen, but still need panelists’ access to chat, polling, and Q&A features.Īt the end of the Webinar, the host can also end the webinar for all attendees, while keeping all panelists for a debrief or post-production discussion.Īs for webinar attendees, they will not be able to see or hear backstage panelists, and if there are no panelists in the webinar, the attendees will see a Host will be right back message. Panelists in the backstage can also still view and hear the live session, allowing them to follow the presentation and know when it's their cue to rejoin. Panelists can enter this backstage or “green room” before the webinar begins and even multiple times during a webinar. Webinar Backstage provides another area that runs before, during, and after a webinar for webinar host, co-hosts, and panelists to be when not actively presenting in the webinar. |
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